A talk with
Roy Roger's
With Léo Fourdrinier
Léo Fourdrinier's artistic philosophy is a rich cultural encyclopedia, intersecting what was, what is, and what could be. His compositions are deliberate juxtapositions of forms and elements that convey the diversity of the world, along with the fluidity of its individual and collective dimensions. In his works, neon lights, stones, and metals become universal symbols, capable of altering the perception of reality or revealing its true essence.
“
I believe my art originates from [...] a deep fascination with matter.
”
I believe my art originates from [...] a deep fascination with matter.
Léo Fourdrinier
”
discover Léo's look
“
I feel a need to engage with everything around me that intrigues me, whether it's industrial artifacts or classical visuals.
”
I feel a need to engage with everything around me that intrigues me, whether it's industrial artifacts or classical visuals.
Léo Fourdrinier
”
discover Léo's look
“
An art degree doesn't make you an artist; it's the human connections, experiences, and curiosity that truly define an artist...
”
An art degree doesn't make you an artist; it's the human connections, experiences, and curiosity that truly define an artist...
Léo Fourdrinier
”
discover Léo's look
Q&A
How did your relationship with art begin?
As a child, I actually dreamed of becoming an actor. This led me to enroll in the drama school in Nimes, where my parents still reside.
As I grew older, I explored various artistic realms beyond theater, including literature, music, and cinema.
Eventually, I chose to focus on sculpture because of the unique experience I get from working with my hands, touching, and manipulating objects to create new forms and narratives.
I believe my art emerges from this tactile fascination with matter.
What places would you recommend visiting in your hometown of Toulon?
I would definitely suggest the places that most inspire my art, particularly the seafront and Mont Faron, which offers a panoramic view of the city.
Both are just a few minutes away by car. In the city, a visit to the covered market is a must; I go there almost daily after finishing work in the studio to unwind.
It's evident that your works are influenced by a variety of sources. How would you define your art?
In my work, countless elements interconnect, encompassing everything that inspires me. My past, daily life, the Internet, French poetry, technological advances—these diverse elements reflect the plurality and fluidity of our current era.
I feel a need to engage with everything around me that intrigues me, whether it's industrial artifacts or classical visuals.
For me, everything is interconnected and can become part of a surrealist mosaic, a poetic composition crafted through the juxtaposition of different forms and elements.
Creating art is a spontaneous activity for me, involving numerous combinations and personal experiences. Ultimately, everyone can interpret my works based on their own emotions and perspectives.