Spontaneity is the foundation of his work. The need for expression leads him to painting, while the need for movement pushes him to work frequently on a large scale.
His works emerge from emotions and personal experiences, transforming fragments of life into images. Paper is a recurring medium, used as a symbol of human fragility, alongside walls and heterogeneous surfaces marked by time.
Bicycles and cyclists often appear in his practice as a metaphor for life itself: movement, effort, departure and return, alongside landscapes and views that engage him emotionally.

His work is a continuously evolving process, often leading him back to his origins in order to renew his visual language.
His mark can be precise or instinctive, sometimes abstract, sometimes naive or nervous.
He freely uses and combines different materials and techniques such as oil pastels, acrylics, vinyl paints, and spray, leaving room for improvisation.